Vicky Vidya Ka Woh Wala Video Review: A Comedy Turns into a Blend of Social Commentary, Crime Drama, and an Unexpected Supernatural Twist. Is it Worth Watching? Find Out Here!
Star Cast: Rajkummar Rao, Triptii Dimri, Vijay Raaz, Mallika Sherawat, Archana Puran Singh, Tiku Talsania
Director: Raaj Shandilyaa
What’s Good: The one-liners and the pre-climax madness
What’s Bad: The incorporation of too many elements and the st-r-e-e-t-c-hed climax!
Loo Break: Yes, especially in the climax!
Watch or Not?: If you like being brainless, relaxing, and enjoying entertainment, then yes!
Language: Hindi
Available On: Theatrical release
Runtime: 153 Minutes
Vicky Vidya Ka Woh Wala Video Movie Review: A Chaotic Blend of Comedy, Crime, and Social Commentary
Vicky Vidya Ka Woh Wala Video stars Rajkummar Rao and Triptii Dimri in a comedic whirlwind that spirals into a mix of social statements, crime drama, and even a supernatural twist. Directed by Raaj Shandilyaa, the film promises laughs and light-hearted entertainment but ultimately delivers an uneven package that tries to balance too many genres. Let’s dive into the details of this film to see if it holds up as an entertaining watch or falls short of its potential.
Plot Overview: A Quirky Start with a Chaotic Turn
The story follows Vicky (Rajkummar Rao), a professional mehndi artist, and Vidya (Triptii Dimri), a doctor who seems more decorative than practical—given that we never see her treat a single patient! The two, despite being from different social classes, fall in love and get married in the holy town of Rishikesh. In an amusing twist, they defy the traditional route of newlyweds seeking blessings from Vaishno Mata and instead sneak away to Goa for a secret honeymoon, unknown to their families.
While in Goa, they record a romantic video and plan to play it for their family when they return home. However, when they sit down to watch the video on a VCD player (the story is set in 1997), their cozy moment is interrupted by an unexpected visit from Vicky’s grandfather (Tiku Talsania). To make matters worse, the house is robbed that very night, and the VCD player, along with other valuables, is stolen. The precious video is now in the hands of the robbers, and Vicky and Vidya’s hunt for the VCD becomes the crux of the chaotic narrative that follows.
Family Drama and Crime Comedy Collide
Adding to the confusion is the return of Vicky’s wayward sister, Chanda (Mallika Sherawat), who has run off to Mumbai to pursue a career in acting. When she returns home, the family maid, also named Chanda (played by Archana Patel), adds another layer of comedy to the mix. Meanwhile, local inspector Laadle (Vijay Raaz) enters the scene to investigate the robbery. He quickly develops a crush on the glamorous Chanda, while the maid Chanda starts falling for the inspector. This love triangle only adds to the absurdity of the plot.
As Vicky and Vidya desperately try to recover their stolen VCD, a series of comical and criminal characters enter the fray, turning the movie into a chaotic chase. From bumbling cops to petty criminals, the film fills up with assorted characters who each bring their own brand of humor and confusion to the table.
Unnecessary Subplots and Forced Comedy
The film’s script, penned by Raaj Shandilyaa along with Yusuf Ali Khan, Ishrat Khan, and Rajan Agarwal, starts on a humorous note, but quickly begins to lose its focus. Some sequences, while initially funny, drag on without adding much to the core plot. The opening scene, which shows Vicky contemplating suicide, is a dramatic start that’s only explained later in the film. Unfortunately, this explanation neither ties into the central plot effectively nor serves as a satisfying narrative twist.
The sequence involving Vidya’s wedding is genuinely entertaining, and Manjot Singh, who plays a prospective Sikh groom, delivers some memorable moments. The film also includes a few “imagination” sequences meant to inject humor, and Triptii Dimri shines in these moments. However, as the film progresses, certain sequences—such as Inspector Laadle wooing Chanda—feel disconnected and forced, especially when combined with Brother Vicky’s involvement.
The inclusion of three comic criminals named Sunil, Shetty, and Bulbul further complicates the narrative. Their characters feel shoehorned into the story and don’t contribute much to the overall progression. The infamous cemetery sequence, where the movie dabbles in horror for a brief moment, is another example of the film trying too hard to mix genres. This forced horror-comedy moment does little more than offer a few cheap thrills, ultimately detracting from the flow of the story.
Genre Confusion: Social Relevance or Entertainment?
One of the film’s major pitfalls is its inability to settle on a tone. What starts as an energetic comedy soon devolves into a serious social drama, attempting to offer social commentary on topics like the clandestine filming of couples. The film’s true villain is revealed in a lengthy and unexpected sequence that seems designed to add moral depth to the story. Unfortunately, this twist feels more like an afterthought than an organic development, and it only serves to extend the film’s runtime.
While the film’s one-liners are often hilarious—such as the line, “Do lakh ki jagah do laash” (two corpses instead of two lakh rupees)—the overall script loses steam as it tries to juggle too many themes. The one-sided conversation between a ghost and the couple offers another moment of dark comedy, but like many other elements in the film, it feels out of place.
Strong Performances, but Not Enough to Save the Film
Despite its flaws, Vicky Vidya Ka Woh Wala Video benefits from strong performances from its cast. Rajkummar Rao, as usual, delivers a solid performance, bringing his characteristic charm and wit to the role. Unlike some of his previous films where he might hold back, here, he embraces the film’s quirky tone and commits fully to his character.
Triptii Dimri is equally impressive, portraying Vidya with a balance of feistiness and likability. Her eyes convey a range of emotions—whether it’s anger, confusion, or passion—and she manages to shine even in scenes where the script lets her down.
Mallika Sherawat and Archana Patel, playing the two Chandas, are entertaining in their respective roles, while Vijay Raaz showcases his comedic skills as the bumbling inspector Laadle. Tiku Talsania and Rakesh Bedi, who are known for their over-the-top performances, are thankfully reined in here, delivering more subdued yet effective performances.
Saharsh Kumar Shukla as Pardesi, a minor character, stands out, while Mast Ali leaves a mark as the main robber. Archana Puran Singh also steals the show in her brief appearances as Vidya’s paan-addicted mother, providing some of the film’s funniest moments.
Music: A Nostalgic Touch
The film’s soundtrack is a mix of old and new, with Sachin-Jigar’s song “Mere Mehboob” standing out as a highlight. The liberal use of music from iconic composers like Anand-Milind, Sandesh Shandilya, Daler Mehndi, Nadeem-Shravan, and Jatin-Lalit gives the film a nostalgic touch, bringing back memories of the 90s.
Final Verdict: A Chaotic Watch, but Entertaining in Parts
Vicky Vidya Ka Woh Wala Video tries to offer a lightweight, entertaining package with a dash of emotional depth and moralizing. While it succeeds in parts, the overall film feels like an unwieldy mix of genres, themes, and subplots. The movie is enjoyable up until the final half-hour, after which it begins to feel like a drawn-out affair. For those looking for a stress-free, somewhat chaotic comedy with strong performances, this film might just hit the right spot.
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