Jon Watts brings enthusiasm to directing Clooney and Pitt, but the script lacks the impact it aims for and ultimately feels directionless.
Star Cast: Brad Pitt, George Clooney, Austin Abrams, and Amy Ryan.
Director: Jon Watts
What’s Good: Brad Pitt and George Clooney are as charming as ever, and their charisma is definitely the film’s driving force.
What’s Bad: The dialogue tries to have that Tarantino or Shane Black’s quality to it, but it just doesn’t hit, and the film comes across as trying too hard to be cool.
Loo Break: There is a section starting the second act that really doesn’t matter, and from there, the movie keeps on going without any real stakes.
Watch or Not?: This is a must-watch if you are a massive fan of George Clooney or Brad Pitt; if not, it’s a pass.
Language: English (with subtitles).
Available On: Apple TV+
Runtime: 108 Minutes
Wolfs Movie Review: A Slick but Hollow Crime Comedy
Director Jon Watts Takes a Detour
Jon Watts, known for his indie success with Cop Car and his blockbuster work in the Marvel Cinematic Universe, returns to the crime genre with Wolfs. After successfully directing a trilogy of Spider-Man films, one might expect a seamless transition back to a smaller-scale project. However, Wolfs feels like a misstep, presenting a slick visual package that unfortunately lacks substance. The film offers an impressive aesthetic and high production values but ultimately fails to justify its existence.
An Ambitious Yet Flawed Premise
The premise of Wolfs revolves around two fixers attempting to collaborate without turning against each other, a concept that sounds promising on paper. However, the film quickly loses momentum after an engaging first act. As the narrative unfolds, it becomes clear that Wolfs struggles to maintain suspense or comedy throughout its runtime. The film meanders aimlessly, highlighting its lack of direction and leaving viewers questioning its purpose.
A film does not always need a clear plot trajectory; sometimes, following interesting characters through their actions can be enough. However, the characters in Wolfs, particularly the leads Jack and Nick, fail to achieve any depth. They come across as mere sketches rather than fully realized individuals. What remains are the talented actors portraying them, but even their charm cannot save the lackluster character development.
Star Power: Clooney and Pitt
The standout aspect of Wolfs is undoubtedly the performances of George Clooney and Brad Pitt. Their chemistry shines through, reminiscent of their collaboration in the Ocean’s franchise. Clooney approaches his role with a serious demeanor, while Pitt seems to rely on his established persona, echoing elements of his iconic character Tyler Durden. Together, they elevate the dialogue and make the film at least somewhat enjoyable.
However, while Clooney and Pitt’s charisma provides a spark, it cannot completely mask the film’s shortcomings. The humor attempts to land but often falls flat, leaving viewers in the awkward position of watching a movie that aspires to be witty but comes across as trying too hard. It’s akin to meeting someone who believes they’re hilarious but fails to deliver genuine laughs—Wolfs is entertaining enough to pass the time, but it lacks the compelling nature to leave a lasting impression.
The Unexpected Breakout Star: Austin Abrams
Amidst the veteran actors, Austin Abrams emerges as a revelation in Wolfs. His energy and enthusiasm manage to outshine even the seasoned Clooney and Pitt. Abrams demonstrates his impressive range, delivering a performance that keeps audiences engaged despite the script’s limitations. His character brings a freshness to the narrative, proving that he is always worth watching, even when the material does not fully match his caliber.
Watts’ Directorial Choices
Returning to the role of writer-director, Jon Watts seems to be aiming for a more personal story akin to his earlier work in Cop Car. Despite his experience, the film occasionally feels like it lacks the soul needed to resonate with viewers. While Watts demonstrates a clear understanding of visual storytelling, the inventiveness displayed in the early sequences begins to fade as the film progresses. Nonetheless, he makes solid directorial choices that keep the audience engaged, showcasing his growth as a filmmaker.
A Score That Fades Into the Background
Theodore Shapiro’s score for Wolfs effectively enhances the emotional weight of scenes without drawing attention to itself. While the music is competent, it ultimately feels forgettable. Like the film itself, it fulfills its purpose but fails to leave a significant impact. This lack of memorable elements contributes to the overall impression that Wolfs has settled for being a vehicle for star power rather than a standout narrative.
Final Thoughts: A Mixed Bag
In the end, Wolfs may have once aspired to greater heights, but it settles into a comfortable groove that lacks the stakes necessary to make its story meaningful. As a result, it feels more like a showcase for its leading men than a compelling tale worth telling. It’s a film that can serve as a pleasant distraction on a lazy afternoon, especially if you find yourself searching for something to watch on a rainy Sunday. However, for those seeking a deeply engaging cinematic experience, Wolfs might fall short of expectations.
With a release date of September 27, 2024, Wolfs presents a blend of star power and sleek production but ultimately lacks the narrative depth needed to make a lasting impression. In a landscape filled with crime films that captivate and resonate, Wolfs is merely a flicker of potential, content with being a light entertainment option rather than a groundbreaking cinematic achievement.
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